{"id":1163,"date":"2026-04-21T10:26:41","date_gmt":"2026-04-21T09:26:41","guid":{"rendered":"https:\/\/novo.cantoredondo.eu\/?page_id=1163"},"modified":"2026-05-24T19:02:04","modified_gmt":"2026-05-24T18:02:04","slug":"epistolario-magno-de-luis-de-camoes","status":"publish","type":"page","link":"https:\/\/novo.cantoredondo.eu\/?page_id=1163","title":{"rendered":"Epistol\u00e1rio Magno de Lu\u00eds de Cam\u00f5es"},"content":{"rendered":"\n<h6 class=\"wp-block-heading\" style=\"font-size:18px\"><strong>EDI\u00c7\u00c3O CR\u00cdTICA, ANAL\u00cdTICA E EXEG\u00c9TICA EM CINCO VOLUMES<\/strong><\/h6>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:18px\">Edi\u00e7\u00e3o, estudo e coment\u00e1rio de Felipe de Saavedra<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:18px\"><em>volume 1 publicado \u00b7 volume 2 em prepara\u00e7\u00e3o<\/em><\/p>\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1155\" height=\"1252\" src=\"https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/camoes1-capa.png\" alt=\"Exemplar do \u00abEpistol\u00e1rio Magno de Lu\u00eds de Cam\u00f5es, volume I \u2014 Celestina em Lisboa\u00bb, de Felipe de Saavedra, com cinta-marcador.\" class=\"wp-image-1410\" style=\"aspect-ratio:0.9500083949474522;width:807px;height:auto\" srcset=\"https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/camoes1-capa.png 1155w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/camoes1-capa-277x300.png 277w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/camoes1-capa-945x1024.png 945w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/camoes1-capa-768x832.png 768w\" sizes=\"auto, (max-width: 1155px) 100vw, 1155px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Volume 1 \u2014 <em>Celestina em Lisboa<\/em>, com cinta-marcador.<\/strong><\/p>\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">O <em>Epistol\u00e1rio Magno de Lu\u00eds de Cam\u00f5es<\/em> \u00e9 uma obra em cinco volumes que assenta na releitura das mais antigas fontes manuscritas e impressas, elevando o estudo da epistolografia cl\u00e1ssica portuguesa a um novo patamar de exig\u00eancia cient\u00edfica. Mais do que reunir cartas, este projecto prop\u00f5e uma leitura cr\u00edtica, anal\u00edtica e exeg\u00e9tica do corpus epistolar camoniano, recolocando-o no centro da obra, da biografia e da fortuna cr\u00edtica de Cam\u00f5es.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">O primeiro volume, <em>Celestina em Lisboa<\/em>, abre esse percurso com uma carta cuja autoria camoniana s\u00f3 viria a ser reatribu\u00edda muitos s\u00e9culos depois, e desenvolve, a partir dela, um amplo trabalho de leitura, coment\u00e1rio e interpreta\u00e7\u00e3o. Ao longo da s\u00e9rie, o projecto articula cartas, cartas perdidas, s\u00e1tiras e recep\u00e7\u00e3o cr\u00edtica num conjunto editorial coerente, pensado para aprofundar o lugar do missiv\u00e1rio na tradi\u00e7\u00e3o liter\u00e1ria portuguesa.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">o editor<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">Felipe de Saavedra \u00e9 autor do projecto <em>Epistol\u00e1rio Magno de Lu\u00eds de Cam\u00f5es<\/em>, no qual assume a edi\u00e7\u00e3o, o estudo e o enquadramento cr\u00edtico da obra, a partir de um trabalho filol\u00f3gico de longa dura\u00e7\u00e3o sobre as fontes manuscritas e impressas do epistol\u00e1rio camoniano.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">volumes<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">Volume 1 \u2014 Celestina em Lisboa [edi\u00e7\u00e3o cr\u00edtica, anal\u00edtica e comentada]<br>CARTA VI \u2014 Por q\u0303 n\u1ebd tudo seja falaruos de siso<br><em>j\u00e1 publicado<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">Volume 2 \u2014 Qu\u1ebd tera t\u00e3 livre o pensamento?<br>CARTA I \u2014 Hu\u00e3 de v m me dera\u00f5 tam guastada<br>CARTA II \u2014 Quem pode ser no mundo t\u00e3 quieto<br>CARTA III \u2014 Aquella cuio peito em flama ardido<br>CARTA IV \u2014 Por usar costume antigo<br><em>em prepara\u00e7\u00e3o<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">Volume 3 \u2014 Visita\u00e7\u00e3o aos Pa\u00e7os de V\u00e9nus<br>CARTA V \u2014 Mandarame que lh\u2019escreuesse<br>CARTA VII \u2014 Hu\u00e3 vossa me dera\u00f5 a qual pello descostume<br>CARTA VIII \u2014 Quanto mais tarde vos escreuo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">Volume 4 \u2014 C\u00e0, &amp; l\u00e2 m\u00e0s fadas h\u00e1 (letras da \u00cdndia)<br>CARTA IX \u2014 De\u017fejei tanto h\u0169a vo\u017f\u017fa<br>S\u00c1TIRA I \u2014 E\u017fte mundo es el camino<br>S\u00c1TIRA II \u2014 E h\u0169 q\u0303 bebia exce\u00dfiuamente<br>CARTA X \u2014 Esta uai com a candeia na ma\u00f5<br>CARTA XI \u2014 Aquelle vnico exemplo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">Volume 5 \u2014 Hora temperaime la essa guaita<br>CARTA XII \u2014 Quem ouuiu dizer nunca<br>Cartas perdidas<br>Recep\u00e7\u00e3o cr\u00edtica do epistol\u00e1rio<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">volume I \u2014 Celestina em Lisboa<\/h3>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Publicado em Julho de 2022, <em>Celestina em Lisboa<\/em> inaugura o <em>Epistol\u00e1rio Magno de Lu\u00eds de Cam\u00f5es<\/em> com a edi\u00e7\u00e3o integral da carta VI, \u00abPor q\u0303 n\u1ebd tudo seja falarvos de siso\u00bb, cuja autoria s\u00f3 viria a ser reatribu\u00edda a Cam\u00f5es cerca de 470 anos depois, acompanhada de fac-s\u00edmile, leitura e amplo estudo cr\u00edtico. Ao trazer a p\u00fablico quase mil e quinhentas palavras decisivas para o corpus camoniano, este volume redefine o lugar da carta no conjunto da obra.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Mais do que fixar um texto, este volume rel\u00ea a carta \u00e0 luz da tradi\u00e7\u00e3o manuscrita, do universo celestinesco, da cultura letrada e dos costumes da Lisboa quinhentista, articulando filologia, hist\u00f3ria e exegese.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Trata-se de um volume de forte densidade interpretativa, que devolve centralidade a uma pe\u00e7a decisiva da epistolografia camoniana e abre, com grande ambi\u00e7\u00e3o cr\u00edtica, uma obra concebida em cinco volumes.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">por dentro do volume<\/h4>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">O primeiro volume combina fac-s\u00edmile, edi\u00e7\u00e3o cr\u00edtica, aparato textual, coment\u00e1rio filol\u00f3gico e leitura exeg\u00e9tica, num percurso que atravessa a transmiss\u00e3o manuscrita, o universo celestinesco, a s\u00e1tira, a cultura liter\u00e1ria quinhentista e a interpreta\u00e7\u00e3o simb\u00f3lica da carta. Seguem-se algumas p\u00e1ginas do volume I.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2022\/08\/CAMOES.1_not.chegada3-768x1024.jpg\" alt=\"Exemplar de \u00abCelestina em Lisboa\u00bb, volume inaugural do \u00abEpistol\u00e1rio Magno de Lu\u00eds de Cam\u00f5es\u00bb, com a cinta-marcador, junto a reprodu\u00e7\u00f5es da Carta VI.\" class=\"wp-image-1368\" style=\"aspect-ratio:0.7500000268011527;width:536px;height:auto\" srcset=\"https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2022\/08\/CAMOES.1_not.chegada3-768x1024.jpg 768w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2022\/08\/CAMOES.1_not.chegada3-225x300.jpg 225w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2022\/08\/CAMOES.1_not.chegada3.jpg 1152w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption class=\"wp-element-caption\"><strong>Livro com a cinta-marcador e encarte com fac-s\u00edmile da Carta VI<\/strong>.<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"872\" height=\"907\" src=\"https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_indice-1.png\" alt=\"\u00cdndice do volume \u00abCelestina em Lisboa\u00bb.\" class=\"wp-image-1413\" style=\"aspect-ratio:0.854375732456968;width:534px;height:auto\" srcset=\"https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_indice-1.png 872w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_indice-1-288x300.png 288w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_indice-1-768x799.png 768w\" sizes=\"auto, (max-width: 872px) 100vw, 872px\" \/><figcaption class=\"wp-element-caption\"><strong>\u00cdndice<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"569\" src=\"https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_abertura.da_.carta_.vi_-1024x569.png\" alt=\"Dupla de abertura da sec\u00e7\u00e3o \u00abAbertura da Carta VI\u00bb no volume \u00abCelestina em Lisboa\u00bb.\" class=\"wp-image-1414\" srcset=\"https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_abertura.da_.carta_.vi_-1024x569.png 1024w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_abertura.da_.carta_.vi_-300x167.png 300w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_abertura.da_.carta_.vi_-768x427.png 768w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_abertura.da_.carta_.vi_.png 1396w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><strong>Abertura da Carta VI.<\/strong><\/figcaption><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"568\" src=\"https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_genealogias-1-1024x568.png\" alt=\"Dupla de abertura da sec\u00e7\u00e3o \u00abGenealogias\u00bb no volume \u00abCelestina em Lisboa\u00bb.\" class=\"wp-image-1415\" srcset=\"https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_genealogias-1-1024x568.png 1024w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_genealogias-1-300x167.png 300w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_genealogias-1-768x426.png 768w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_genealogias-1.png 1398w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><strong>Abertura da sec\u00e7\u00e3o \u00abGenealogias\u00bb, com frontisp\u00edcio da <em>Celestina<\/em> e texto \u00abCam\u00f5es epistolar\u00bb.<\/strong><\/figcaption><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"565\" src=\"https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_a.queda_-1-1024x565.png\" alt=\"Dupla de abertura da sec\u00e7\u00e3o \u00abA queda\u00bb no volume \u00abCelestina em Lisboa\u00bb.\" class=\"wp-image-1416\" srcset=\"https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_a.queda_-1-1024x565.png 1024w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_a.queda_-1-300x166.png 300w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_a.queda_-1-768x424.png 768w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_a.queda_-1.png 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><strong>Abertura da sec\u00e7\u00e3o \u00abA Queda\u00bb, com escultura de Faetonte e in\u00edcio da leitura interpretativa.<\/strong><\/figcaption><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"567\" src=\"https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_filologia-1-1024x567.png\" alt=\"Dupla de abertura da sec\u00e7\u00e3o \u00abFilologia\u00bb no volume \u00abCelestina em Lisboa\u00bb.\" class=\"wp-image-1417\" srcset=\"https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_filologia-1-1024x567.png 1024w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_filologia-1-300x166.png 300w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_filologia-1-768x425.png 768w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_filologia-1.png 1398w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><strong>Abertura da sec\u00e7\u00e3o \u00abFilologia\u00bb, com pintura de Bartolom\u00e9 Esteban Murillo e levantamento de celestinismos.<\/strong><\/figcaption><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"566\" src=\"https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_exegese-1024x566.png\" alt=\"Dupla de abertura da sec\u00e7\u00e3o \u00abExegese\u00bb no volume \u00abCelestina em Lisboa\u00bb.\" class=\"wp-image-1418\" srcset=\"https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_exegese-1024x566.png 1024w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_exegese-300x166.png 300w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_exegese-768x425.png 768w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_exegese.png 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><strong>Abertura da sec\u00e7\u00e3o \u00abExegese\u00bb, com <em>Celestina e a sua filha<\/em> e o texto \u00abAutovindica\u00e7\u00f5es\u00bb.<\/strong><\/figcaption><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"568\" src=\"https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_sentido.tropologico-1-1024x568.png\" alt=\"Dupla de abertura da sec\u00e7\u00e3o \u00abSentido tropol\u00f3gico\u00bb no volume \u00abCelestina em Lisboa\u00bb.\" class=\"wp-image-1419\" srcset=\"https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_sentido.tropologico-1-1024x568.png 1024w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_sentido.tropologico-1-300x166.png 300w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_sentido.tropologico-1-768x426.png 768w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_sentido.tropologico-1.png 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><strong>Abertura da sec\u00e7\u00e3o \u00abSentido tropol\u00f3gico\u00bb, com <em>A celestina, o cliente e a tangedora<\/em> e o texto \u00abFama e inf\u00e2mia da <em>ars lenandi<\/em>\u00bb.<\/strong><\/figcaption><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"567\" src=\"https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_leitura.alegorica-1-1024x567.png\" alt=\"Dupla de abertura da sec\u00e7\u00e3o \u00abLeitura aleg\u00f3rica\u00bb no volume \u00abCelestina em Lisboa\u00bb.\" class=\"wp-image-1420\" srcset=\"https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_leitura.alegorica-1-1024x567.png 1024w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_leitura.alegorica-1-300x166.png 300w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_leitura.alegorica-1-768x426.png 768w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES.1_leitura.alegorica-1.png 1397w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><strong>Abertura da sec\u00e7\u00e3o \u00abLeitura aleg\u00f3rica\u00bb, com <em>Bacchanal<\/em> e o texto \u00abBaccho, pr\u00edncipe e guru\u00bb.<\/strong><\/figcaption><\/figure>\n\n\n\n<div style=\"height:35px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">complemento de leitura<\/h4>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Para acompanhar o volume <em>Celestina em Lisboa<\/em>, disponibilizamos uma leitura modernizada da Carta VI \u2014 <em>Por q\u0303 n\u1ebd tudo seja falarvos de siso<\/em> \u2014, preparada por Felipe de Saavedra como apoio \u00e0 edi\u00e7\u00e3o cr\u00edtica publicada no livro.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Esta vers\u00e3o n\u00e3o substitui a edi\u00e7\u00e3o cr\u00edtica, mas facilita o acesso ao texto por leitores n\u00e3o especializados, preservando a vivacidade sat\u00edrica, burlesca e obscena da carta camoniana.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/novo.cantoredondo.eu\/?p=1382\">ler a vers\u00e3o modernizada da Carta VI<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:80px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">estado do projecto<\/h3>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">O volume 1 encontra-se publicado. O volume 2 est\u00e1 em prepara\u00e7\u00e3o. Os restantes volumes ser\u00e3o anunciados \u00e0 medida que avancem os trabalhos da obra.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">ficha breve<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">obra epistolar de Lu\u00eds Vaz de Cam\u00f5es em cinco volumes<br>\u00e2mbito<strong>:<\/strong> edi\u00e7\u00e3o cr\u00edtica, anal\u00edtica e comentada do epistol\u00e1rio camoniano<br><br>edi\u00e7\u00e3o, estudo e coment\u00e1rio: Felipe de Saavedra<br>colec\u00e7\u00e3o: Epistol\u00e1rios, 2<br>edi\u00e7\u00e3o: Canto Redondo<br>miolo: a preto e branco, com imagens e fac-s\u00edmiles a cores<br>capa mole com badanas \u00b7 180 \u00d7 200 mm<br><br>volume 1 \u2014 Celestina em Lisboa [edi\u00e7\u00e3o cr\u00edtica, anal\u00edtica e comentada]<br>revis\u00e3o cient\u00edfica: Jos\u00e9 Cam\u00f5es (Teatro), Maria do C\u00e9u Fraga (Genologia)<br>extra: encarte com fac-s\u00edmile e leitura da carta VI<br>texto em AO90 \u00b7 308 p\u00e1ginas<br>1.\u00aa edi\u00e7\u00e3o: Julho 2022<br>estado: dispon\u00edvel<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/espacolivro.eu\/epistolografia\/818-epistolario-magno-de-luis-de-camoes-vol-i-celestina-em-lisboa-edicao-critica-analitica-e-comentada-.html\">comprar volume I<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">not\u00edcias<\/h3>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">As not\u00edcias relativas ao projecto editorial, \u00e0 circula\u00e7\u00e3o e \u00e0 recep\u00e7\u00e3o da obra encontram-se reunidas na sec\u00e7\u00e3o <a href=\"https:\/\/novo.cantoredondo.eu\/?page_id=22\" data-type=\"link\" data-id=\"https:\/\/novo.cantoredondo.eu\/?page_id=22\">Not\u00edcias<\/a>. Destacamos abaixo algumas pe\u00e7as de especial relev\u00e2ncia.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2022\/07\/5-1-1140x855-1-1024x768.jpg\" alt=\"Exemplar de \u00abCelestina em Lisboa\u00bb, volume inaugural do \u00abEpistol\u00e1rio Magno de Lu\u00eds de Cam\u00f5es\u00bb, com o C\u00f3dice Varej\u00e3o ao fundo.\" class=\"wp-image-1305\" style=\"width:216px;height:auto\" srcset=\"https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2022\/07\/5-1-1140x855-1-1024x768.jpg 1024w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2022\/07\/5-1-1140x855-1-300x225.jpg 300w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2022\/07\/5-1-1140x855-1-768x576.jpg 768w, https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2022\/07\/5-1-1140x855-1.jpg 1128w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h4 class=\"wp-block-heading\">Isabel Rio Novo assinala o <em>Epistol\u00e1rio Magno de Lu\u00eds de Cam\u00f5es<\/em><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:18px\">A escritora e investigadora Isabel Rio Novo destacou publicamente o primeiro volume da obra, sublinhando a singularidade do projecto e o seu contributo para uma nova leitura do universo camoniano.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/novo.cantoredondo.eu\/?p=1452\">ler not\u00edcia<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/novo.cantoredondo.eu\/wp-content\/uploads\/2026\/04\/CAMOES_caoa.coloquio-711x1024.jpg\" alt=\"\" class=\"wp-image-1478\" style=\"aspect-ratio:0.6943251001417265;width:162px;height:auto\"\/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h4 class=\"wp-block-heading\">O <em>Epistol\u00e1rio Magno de Lu\u00eds de Cam\u00f5es<\/em> na <em>Col\u00f3quio\/Letras<\/em><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:18px\">A revista <em>Col\u00f3quio\/Letras<\/em> publicou, no n.\u00ba 213, uma recens\u00e3o cr\u00edtica ao primeiro volume da obra, assinada por V\u00edtor Amaral de Oliveira.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/novo.cantoredondo.eu\/?p=1477\">ler not\u00edcia<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>EDI\u00c7\u00c3O CR\u00cdTICA, ANAL\u00cdTICA E EXEG\u00c9TICA EM CINCO VOLUMES Edi\u00e7\u00e3o, estudo e coment\u00e1rio de Felipe de Saavedra volume 1 publicado \u00b7 volume 2 em prepara\u00e7\u00e3o Volume 1 \u2014 Celestina em Lisboa, com cinta-marcador. O Epistol\u00e1rio Magno de Lu\u00eds de Cam\u00f5es \u00e9 uma obra em cinco volumes que assenta na releitura das mais antigas fontes manuscritas e &#8230; <a title=\"Epistol\u00e1rio Magno de Lu\u00eds de Cam\u00f5es\" class=\"read-more\" href=\"https:\/\/novo.cantoredondo.eu\/?page_id=1163\" aria-label=\"Leia mais sobre Epistol\u00e1rio Magno de Lu\u00eds de Cam\u00f5es\">Ler mais<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1163","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/novo.cantoredondo.eu\/index.php?rest_route=\/wp\/v2\/pages\/1163","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/novo.cantoredondo.eu\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/novo.cantoredondo.eu\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/novo.cantoredondo.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/novo.cantoredondo.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1163"}],"version-history":[{"count":76,"href":"https:\/\/novo.cantoredondo.eu\/index.php?rest_route=\/wp\/v2\/pages\/1163\/revisions"}],"predecessor-version":[{"id":1907,"href":"https:\/\/novo.cantoredondo.eu\/index.php?rest_route=\/wp\/v2\/pages\/1163\/revisions\/1907"}],"wp:attachment":[{"href":"https:\/\/novo.cantoredondo.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}